• The Lion and the Throne: Stories from the Shahnameh of Ferdowsi, Vol. I
  Among the masterpieces of world literature, perhaps the least familiar to English readers is the Persian book of Kings (Shahnameh, in Persian). This prodigious national epic, composed by the poet Ferdowsi between 980 and 1010, tells the story of ancient Persia, beginning in the mythic time of Creation and continuing forward to the Arab-Islamic invasion in the seventh century. the lion and the throne covers the first third of the shahnameh and will be followed by two volumes to complete the epic. Brilliantly translated and magnificently illustrated, these volumes give English-language readers access to a world of vanished wonders.[more>>]
  
  
• Fathers and Sons: Stories from the Shahnameh of Ferdowsi, Volume II
  Volume II of our series containing the major stories from the Shahnameh opens and closes with tales of tragic conflict between a king and his son: Prince Seyavash and Prince Esfandiyar are both driven from the court by their foolish fathers to confront destiny and death in distant lands. Interwoven with Seyavash's story is the tale of his stepmother Sudabeh's lust for her young stepson, and of his escape from her tricks by the famous trial by fire; Esfandiyar's story involves the last combat of the great Rostam, a fight to the death which leads to Rostam's own demise at the hands of his evil brother Shaghad. Between these two stories the reader travels through a wondrous landscape of romance (Bizhan and Manizheh), demons (the Akvan Div), heroic despair (the tale of Forud) and mystical renunciation of the world (Kay Khosrow's mysterious last journey).[more>>]
  
  
• Sunset of Empire: Stories from the Shahnameh of Ferdowsi, Volume III
  With our third and final volume of stories from the Shahnameh we move from mythology and legend to romanticized history. Here the mighty events that shook ancient Persia from the time of Alexander of Macedon’s conquest to the Arab invasion of the seventh century C.E. are reflected in the stirring and poignant narratives of Ferdowsi, the master poet who took on himself the task of preserving his country’s great pre-Islamic heritage. We see vast empires rise and fall, the rule of noble kings and cruel tyrants, the fortunes of a people buffeted by contending tides of history. Larger than life individuals are vividly depicted—the impulsive, pleasure-loving king Bahram Gur, the wise vizier Bozarjmehr, the brave rebel Bahram Chubineh, his loyal defiant sister Gordyeh, and many others—but we also see many vignettes of everyday life in the villages and towns of ancient Persia, and in this part of the Shahnameh Ferdowsi indulges his talent for sly humor much more than in the earlier tales. The poem rises to its magnificent climax in its last pages, when the tragic end of an era is recorded and Ferdowsi and his characters look with foreboding towards an unstable and fearful future.[more>>]
  
  
• Epic and Sedition: The Case of Ferdowsi's Shahnameh
  Iran's national epic, the Shahnameh of Ferdowsi, has traditionally been regarded by both Persians and Westerners as a poem celebrating the the central role of monarchy in Persian history. In this groundbreaking book, Dick Davis argues that the poem is far more than a patriotic chronicle of kingly deeds. Rather, it is a subtle and highly ambiguous discussion of authority, and far from being a celebration of monarchy, its most famous episodes and heroes amount to a radical critique of the institution. Davis demonstrates that the public world of kingly authority is shadowed in the poem by a series of tragic father-son relationships, and that in both the royal and familial spheres, authority figures are invariably presented as morally inferior to those whom they govern. The Shahnameh's complex aesthetic structure and its tragic resolution of problems of authority and hierarchy make it an artistic artifact able to take its rightful place beside the major masterpieces of world literature.[more>>]
  
  
• The Legend of Seyavash
  The Legend of Seyavash comes from the middle section of the Shahnameh, Iran’s national epic by the poet Ferdowsi (c 940–c 1020) and presents a world of warfare, military prowess, romance, guile, and fierce tribal loyalty. Ferdowsi’s epic style and mastery of poetic organization, however, is matched by the psychological and ethical depth of his insight and his concerns for the primal struggle between good and evil, and man’s continual attempt to create justice and civilized order out of the chaos of human greed and cruelty. The Legend of Seyavash begins with the stuff of romance—a foreign girl of royal blood, found as a fugitive and introduced into the king’s harem, gives birth to a son, Seyavash, who is raised not by his father the king, but by the great hero Rostam. On Seyavash’s return home Sudabeh, his step-mother, attempts to seduce him, and when he spurns her she accuses him of having attempted to rape her. He undergoes a trial by fire to prove his innocence, and goes on to battle successfully against Iran’s rival, Turan, concluding a truce with the Turanian king, Afrasyab, on amicable terms. But Seyavash’s father, Kavus, insists that Seyavash surrender the Turanian hostages to slaughter, and with a conflicted conscience and no one to turn to, Seyavash flees to the Turanian court, where he is first given safe harbor, but is once again abandoned. Dick Davis has made a masterful translation of the poem and written a penetrating introduction.[more>>]
  
  
• My Uncle Napoleon: A Comic Novel
  Set in a garden in Tehran in the early 1940s, where three families live under the tyranny of a paranoid patriarch, My Uncle Napoleon is a rich, comic and brilliantly on-target send-up of Iranian society. The novel is, at its core, a love story. But the young narrator's delicate and pure love for his cousin Layli is constantly jeopardized by an unforgettable cast of family members and the hilarious mayhem of their intrigues and machinations. It is also a social satire, a lampooning of the widespread Iranian belief that foreigners (particularly the British) are responsible for events that occurs in Iran. But most of all it is a very enjoyable, often side-splitting read that you wish did not have to end. First published in Iran in the early 1970s, the novel became an all-time best-seller.[more>>]
  
  
• Borrowed Ware: Medieval Persian Epigrams
  In Borrowed Ware, poet and translator Dick Davis brings together a collection of epigrams by poets from the "classic" period of Persian literature. It makes a fascinating introduction to a literature that is little known in the West, and incidentally provides insight into a vanished and extraordinary way of life. Davis's prodigious scholarship of Persian poetry has enabled him to select a wide range of poems, from both famous and little-known poets. The result is some of the best English translations of Persian poetry ever. Davis has maintained exceptional faithfulness to the original Persian while recasting the poems' grace and drive in English. The book also contains a lucid and entertaining introduction, and informative notes on each of the sixty-eight poets whose work is included. Each poem is faced by the text in delicate Persian nasta'liq calligraphy by Amir Hossein Tabnak.[more>>]